URL:
https://www.nytimes.com/section/books/review
Updated:
37 min 34 sec ago
In “The Guarded Gate” Daniel Okrent explores the 1920s nativist and eugenicist movements that led to the 1924 law practically shutting down immigration to America.
In his new book, “The Queen,” Josh Levin reveals that Linda Taylor was a scammer of epic proportions, a kidnapper and possibly even a murderer.
In “Spying on the South,” Tony Horwitz recreates a trip taken by Frederick Law Olmsted in the early 1850s.
“Red Birds,” a new novel by the Pakistani author Mohammed Hanif, satirizes America’s never-ending military conflicts in the Middle East.
Brenda Wineapple’s “The Impeachers” is a revealing history of the trial of Andrew Johnson in 1868.
Tyler Cowen’s new book delivers a “love letter” to capitalism, a system he argues is better than all the rest.
Leah Hager Cohen’s novel “Strangers and Cousins” uses a vibrant, anarchic family wedding to explore the way change can be both celebrated and feared.
The publishing house dismissed Gary Fisketjon, a longtime editor who worked with such literary stars as Raymond Carver, Annie Dillard and Cormac McCarthy.
In his two World War II novels of the 1970s, Wouk — who died this week — brought psychological insight to genocide, its perpetrators and bystanders. Adelle Waldman explains.
In “Upheaval,” Jared Diamond asks whether countries can draw lessons from how individuals confront personal difficulties.
Casey Cep discusses “Furious Hours,” and Eliza Griswold talks about “Amity and Prosperity: One Family and the Fracturing of America.”
Six new paperbacks to check out this week.
A selection of recent visual books; plus, a peek at what our colleagues around the newsroom are reading.
The son of Varian Fry, and several others, weigh in on Cynthia Ozick’s review of Julie Orringer’s novel “The Flight Portfolio.”
In “Orange World,” surrealism is grounded in the real anxieties of our age.
That’s what Casey Cep tries to figure out in “Furious Hours,” which enters the nonfiction best-seller list this week at No. 6.
Grace Talusan’s “The Body Papers” traces the harrowing challenges she’s faced in both the public and private spheres.
In Molly Dektar’s debut, a young woman falls in with a cult of eco-terrorists.
These new takes on beloved old stories deliver empowered princesses and racial diversity while staying true to the genre’s stark, dangerous heart.
Four reminiscences of mothers and fathers, brothers and sisters, from farming communities in California and South Dakota to the suburbs of New York.
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