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https://www.nytimes.com/section/books/review
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2 hours 48 min ago
A large-scale memoir-in-images, simply titled “Rihanna,” is the latest in the musician-turned-mogul’s luxury offerings.
In “User Friendly,” Cliff Kuang and Robert Fabricant recount America’s long history of making products that take people’s needs into account.
“The Corner That Held Them,” by Sylvia Townsend Warner, and “Medieval Bodies,” by Jack Hartnell, consider the pleasures and perils of life in the Middle Ages.
An excerpt from “Broke: Hardship and Resilience in a City of Broken Promises,’ by Jodie Adams Kirshner
An excerpt from “The Second Sleep,” by Robert Harris
Dexter Palmer’s novel “Mary Toft; Or, The Rabbit Queen” spins an actual case of scientific fraud into a cracking tale about the nature of belief.
The new book by Jodie Adams Kirshner follows seven residents of bankrupt Detroit, exposing the effects of decades of disinvestment and failed urban policy.
A selection of recent visual books of interest; plus, a peek at what our colleagues around the newsroom are reading.
At first glance, Robert Harris’s new novel, “The Second Sleep,” appears to be set in 15th-century Britain. Then things get tricky.
A writer tells the story of a region through the lens of one well-documented clan.
An excerpt from “The Siberian Dilemma,” by Martin Cruz Smith
Three new visual books reveal dancers past and present in intimate moments.
“Light Break” and “The Sound I Saw” capture the full scope of the 20th-Century Harlem photographer’s career.
Two new art books explore our corporeal selves in vivid detail.
Season 3 has finally arrived. Here’s some supplemental reading.
Nicholas Buccola talks about “The Fire Is Upon Us,” and Saeed Jones discusses “How We Fight for Our Lives.”
Readers respond to recent issues of the Sunday Book Review.
It took eight years, but the author of “The Night Circus” is back, and she has another bestseller.
Rob Kapilow’s “Listening for America” explains how to distinguish good from bad in the Great American Songbook.
Guillermo del Toro and his co-writer, Cornelia Funke, stay faithful to the script, but ramp up the bleakness in this tale of a princess living through a brutal war.
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