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42 min 10 sec ago
In “Mother Is a Verb,” Sarah Knott casts light on forgotten beliefs and practices that will help readers place their own views in cultural context.
“With the Fire on High,” the writer’s second novel (after her award-winning “The Poet X”), tells the story of a teenage mom who’s an aspiring chef.
Nigel Hamilton’s “War and Peace,” the third volume of his Roosevelt trilogy, takes a revisionist look at the two wartime partners.
The craftsmen in Bridget Collins’s novel “The Binding” are able to remove a person’s memories and create books full of captured experiences.
“Becoming Dr. Seuss,” a new biography of Theodor Geisel by Brian Jay Jones, chronicles the famous children’s book author’s influential career, zany imagination and original rhyme schemes.
In “Democracy May Not Exist, but We’ll Miss It When It’s Gone,” Astra Taylor examines the ways, both good and bad, the concept has been defended, defined and put into practice.
Chia-Chia Lin’s “The Unpassing” is set in 1980s Alaska, but its themes — of the immigrant struggle and private grief — are universal.
In Joanne Ramos’s “The Farm,” the bodies of the less privileged “host” the unborn babies of the ultrarich.
Trent Dalton used his own biography as inspiration for his debut novel.
The third novel in her seasonal quartet — consumed with Brexit, refugee detention, social media — suggests we’re hurtling toward the horrific.
In “Furious Hours,” Casey Cep investigates the Alabama murder case that was to have been the focus of Lee’s second book — as well as the famously reclusive writer herself, plumbing the mystery of her 50-year silence.
Joshua Furst’s second novel tells the story of a radical from the perspective of his son.
Shalini Shankar’s “Beeline” explores the stakes of these intense, “brain-sport” championships on Generation Z.
New titles to watch for in May, a Canadian bookstore chain heads to the U.S. and more.
Véronique Olmi’s novel “Bakhita” reimagines the real-life story of St. Josephine Bakhita, captured as a child in Darfur and liberated in Venice.
Ian Kershaw’s “The Global Age” looks back on the extraordinary achievements of the recent past.
Mitchell Zuckoff’s “Fall and Rise” is a moment-to-moment re-creation of the events of 9/11, with a focus on the people most closely affected.
Lalami discusses her new novel, and Jenny Odell talks about “How to Do Nothing.”
In refreshingly brief new novels, kids solve family mysteries, save younger siblings and help a grandparent break out of a hospital.
That quote from Harlan Ellison illustrates — quite colorfully — the long-smoldering genre snobbery debate that Ian McEwan recently entered.
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