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https://www.nytimes.com/section/books/review
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2 hours 43 min ago
We invite you to take a look at this year’s winners.
Matthew Lockwood’s “To Begin the World Over Again” sees the American Revolution as a pivot of world history, but not in a good way.
David Oshinsky talks about Edmund Morris’s “Edison,” and Tina Jordan discusses new memoirs by Demi Moore, Julie Andrews and Carly Simon.
Ronan Farrow wrestled with hard truths when writing “Catch and Kill,” which remains at No. 2 on the nonfiction list this week.
In 2000, the Irish novelist Edna O’Brien wrote a biography of the famed Irish writer James Joyce.
On Joseph Conrad’s ‘Heart of Darkness’
Alan Gratz’s “Allies” introduces a new generation to the heroism — and fears, and doubts — of the young soldiers who fought in World War II.
“Beverly, Right Here” finishes the story of tough-luck Florida girlhood that began in “Raymie Nightingale.”
In some ways, Edith Wharton’s classic novel feels more current than ever. Elif Batuman explains.
Marilyn Stasio’s Crime column features an intricate British mystery by Martha Grimes. Also new books from Anne Perry, Linwood Barclay and Liam McIlvanney.
Six new paperbacks to check out this week.
Readers respond to recent issues of the Sunday Book Review.
Suggested reading from critics and editors at The New York Times.
A long-awaited new novel from the author of “The Night Circus,” essays from Lydia Davis and a tell-all by an anonymous White House official.
The novelist and Proust scholar, whose new book is “Find Me,” calls “Mrs. Dalloway” an “overrated novel that I don’t find particularly gripping or interesting. I’m not even sure it’s well written.”
Maddow’s “Blowout” details the political problems caused by our reliance on fossil fuels.
Her debut memoir, “Ordinary Girls,” recounts her rise from troubled youth to literary success story.
Antibiotics are lifesavers — but there’s another side to the story.
A selection of recent audiobooks of note; plus, a peek at what our colleagues around the newsroom are reading.
The 10-year-old siblings at the heart of “Nothing to See Here” have a little problem: Whenever they experience intense emotion, they burst into flames.
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