URL:
https://www.nytimes.com/section/books/review
Updated:
30 min 56 sec ago
Randy Boyagoda’s satirical novel “Original Prin” is an antic account of one man’s journey from a college in Toronto to the war-torn Middle East.
Six new paperbacks to check out this week.
Suggested reading from critics and editors at The New York Times.
Let this spate of science fiction transport you to another era.
In these Y.A. novels, teenagers search for answers to the mysteries of love and the puzzle of themselves.
Ibram X. Kendi on books to help America transcend its racist heritage.
Amanda Marbais’s “Claiming a Body,” Kali Fajardo-Anstine’s “Sabrina & Corina” and Xuan Juliana Wang’s “Home Remedies” mark these authors’ brave entrees into fiction.
Whether you’re looking for princes, priestesses, or competent women running the show, there’s a book for you this summer.
Sam Dagher’s “Assad or We Burn the Country” describes a regime that will go to any length to stay in power.
Stephen Budiansky’s new biography of the Supreme Court justice reveals a man who was guided by experience, not logic.
Lepore’s “This America: The Case for the Nation” calls for the United States to live up to its ideals.
In Richard Roper’s bighearted debut novel, “How Not to Die Alone,” a middle-aged civil servant grapples with an enormous lie he told his co-workers.
In “Last Day,” Domenica Ruta braids together the stories of a teenage girl, a tattoo artist, three astronauts and a young woman who hears voices.
A selection of books published this week; plus, a peek at what our colleagues around the newsroom are reading.
Oliver Bullough’s “Moneyland” charts the many ways the wealthy have of hiding their money.
“Range,” by David Epstein, argues that the unpredictable demands of contemporary life increasingly give the advantage to generalists, not specialists.
“Gropius,” a new biography by Fiona MacCarthy, aims to rehabilitate one of modernism’s most influential but underappreciated architects.
Rick Atkinson talks about “The British Are Coming,” and Brenda Wineapple discusses “The Impeachers.”
“Hot, Cold, Heavy, Light,” a new collection by Peter Schjeldahl, includes 100 reviews from the past 30 years, capturing his talent for distilling the essence of an artist’s work in a single line.
From waking up to snacks to filling the void to actually writing, Grant Snider tells the story of a typical day in the life of someone who lives by the pen.
Pages