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In Emma Steinkellner’s graphic novel “The Okay Witch,” a teenager descended from famous witches faces bigotry, not to mention her mother’s opposition.
In Sarah Jean Horwitz’s ‘The Dark Lord Clementine,’ a girl born into a family of Dark Lords struggles to do what’s right, er, wrong.
Marilyn Stasio takes time off from her crime fiction column to guide readers through some real-life chronicles of violence, madness and appalling misbehavior.
With “Find Me,” André Aciman has written a surprising sequel to “Call Me by Your Name.”
Six new paperbacks to check out this week.
Readers respond to recent issues of the Sunday Book Review.
In Jeanette Winterson’s 1993 novel “Written on the Body,” the narrator (whose name and gender are never specified) navigates a consuming affair with a married woman.
Jean-Baptiste Del Amo’s “Animalia” follows a rural family while Marie NDiaye’s “The Cheffe” charts a career in the kitchen.
Check out literature’s favorite bad guys, scary women and diabolical creatures.
An excerpt from ‘Tough Love: My Story of the Things Worth Fighting For,’ by Susan Rice
Suggested reading from critics and editors at The New York Times.
“Stamina is the real challenge: a hoarse voice, a tired brain and a sore ass. But as with all the spoken arts, the only bad experience is bad writing.”
The latest crop of horror fiction — some new, some reissued — is truly the stuff of nightmares.
A selection of recent books of interest; plus, a peek at what our colleagues around the newsroom are reading.
The new book by the Pulitzer Prize-winning author is part travelogue and part art criticism, a reflection on the power of art to affect us deeply.
In “Still Here,” a biography by Alexandra Jacobs, Stritch comes across as a matchless talent and a hopeless neurotic.
These three memoirs were all written by famous women — but that’s about all they have in common.
In a new biography of Thomas Edison, Edmund Morris tells the story in reverse — starting at the end and going backward to his birth.
In “Dad’s Maybe Book,” based on letters to his children over the years, the author reflects on life, death and literature.
Finally, there is a critical mass of children’s picture books about Indigenous people living vibrant, diverse, contemporary lives.
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