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“Death Is Hard Work,” by the lauded Syrian novelist Khaled Khalifa, is his first to be set during the country’s current war.
In “The White Book,” a Korean novelist wanders the city of Warsaw, haunted by her family’s loss — and by her country’s inability to mourn its own losses.
In his new book, the renowned ethnologist argues that emotions are key to understanding both human and animal behavior.
The Oscars, a new history of Northern Ireland, Isaac Mizrahi and more.
The iconoclastic artist’s picture books comforted children and made adults uncomfortable.
In his latest Graphic Content column, Ed Park looks at James Sturm’s “Off Season” and Elly Lonon and Joan Reilly’s “Amongst the Liberal Elite.”
Gal Beckerman discusses “How to Disappear,” by Akiko Busch, and “Silence,” by Jane Brox; and Steve Luxenberg talks about “Separate.”
Patrick Radden Keefe’s stunning new book uses the 1972 murder and abduction of a Belfast mother of 10 to tell the story of the Troubles.
Six new paperbacks to check out this week.
Soon after the shooting at Marjory Stoneman Douglas High School, Cullen realized there was something different about this tragedy. He got on a plane to Florida.
Nonfiction titles that made a splash on both the page and the big screen.
Sara Lautman draws a tribute to the Darling family’s loyal pet and caretaker, Nana.
The title characters of Amy Feltman’s “Willa & Hesper” find solace from their breakup in the rabbit holes of their European Jewish backgrounds.
Michael Tomasky’s “If We Can Keep It” recounts the political and cultural back story to our current, destabilized moment.
An epic debut, poems as sharp as blood-tinged spindles, a stand-alone novel narrated by a god: There’s something for everyone here.
An emotionless world where feelings are a commodity. A murderer pursuing a homecoming queen. And more, in novels from Karen M. McManus, E.K. Johnston, Lamar Giles and S.E. Grove.
“The first time I saw ‘The Wife’ I felt as if I were watching a home movie I hadn’t known existed.”
Three new historical novels reimagine the lives of real women.
In her memoir “Stet,” the editor behind writers such as V.S. Naipaul and Jean Rhys reflected on her life in publishing.
Readers respond to recent issues of the Sunday Book Review.
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