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The disorder is poorly understood. Should novelists be able to make it mean whatever they want?
In “An Indefinite Sentence,” Siddharth Dube recounts his personal struggle to destigmatize homosexuality and AIDS in his home country.
A selection of books published this week; plus, a peek at what our colleagues around the newsroom are reading.
Roger McNamee talks about “Zucked,” and Charles Finch discusses the season’s best thrillers.
Mary Pipher’s “Women Rowing North” celebrates the unacknowledged talents and wisdom of older women — a demographic increasingly in the limelight.
Six new paperbacks to check out this week.
In “Where Reasons End,” an unnamed narrator plumbs the nature of suffering — and the limits of language — in a dialogue with the child she mourns.
In the latest from Beth Ferry and Tom Lichtenheld, Shaun Tan and others, a boy and his dog head to the moon, a crab bakes cakes and a cat foils a bakery break-in.
Benjamin Dreyer sees language the way an epicure sees food. And there are cretins everywhere he looks.
An illustrated map of the authorial life.
A follow-up to “The Hate U Give.” An investigation into the Chernobyl disaster. True crime in Northern Ireland. And more.
Disappearances link the works of Claire Adam, Madhuri Vijay, Juliet Lapidos and James Charlesworth: missing persons, missing manuscripts and missed connections.
New novels take readers back to Tudor England (C.J. Sansom), 1920s England (Charles Todd) and the age of Queen Victoria (Mick Finlay).
Reema Zaman, Sophia Shalmiyev and Pam Houston all seek solace in memoir for their pain.
Will Hunt travels from New York’s subways to Australian ochre mines to tell the subterranean story of what exists beneath us.
In Tom Barbash’s “The Dakota Winters,” a searching young man finds an unlikely companion in the former Beatle’s last year of life.
The Book Review’s past sheds light on the books of the present. This week: James Wood on the Chilean author’s legacy.
Readers respond to recent issues of the Sunday Book Review.
Suggested reading from critics and editors at The New York Times.
In “Maid,” Stephanie Land describes what it’s like to be a single mother struggling to survive.
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