It’s hardly glamorous but still enticing, as reported by a young black chef, an obsessive blogger, a prickly female restaurateur and the man who made Noma famous.
Literary history is filled with authors who depended on lengthy visits for room and board, psychological solace and material. But they have not always proved the most gracious guests.
In his memoir, “Places and Names,” the Marine veteran Elliot Ackerman travels to Syria and sees a refracted image of the forever wars of Iraq and Afghanistan.
Beach books are the cool aunts of the literary world: They drive with the top down and take you to new places. They’re memorable, challenging, warm and wise.
During a worldwide economic collapse, the heroes of Andri Snaer Magnason’s “The Casket of Time” seal themselves in time-proof boxes. So does everyone else.
To write her book, Lisa Taddeo spent thousands of hours over eight years getting to know her subjects in an effort to understand their erotic yearnings and obsessions.
“Beneath the Tamarind Tree,” by Isha Sesay, weaves an account of the Nigerian girls’ kidnapping with the story of her own mother, another African girl determined to get an education.
“Rain” (by Mia Couto), “The Sun on My Head” (by Geovani Martins) and “Arid Dreams” (by Duanwad Pimwana) depict landscapes of misfortune around the world.