“Good Will Come From the Sea,” a story collection by Christos Ikonomou, captures the desperation of his country’s citizens in the wake of economic devastation.
The author, most recently, of the memoir “Shout” doesn’t shun any genres: “That’s like avoiding colors or parts of the flavor spectrum. I want all kinds of stories on my plate.”
Sci-fi writers gave us satellite communication, army tanks, tablets, CCTV and the internet — before these things existed in real life. What explains their powers of foresight?
David Means’s latest collection, “Instructions for a Funeral,” is filled with adulterers and criminals, railroad bums and wharf rats and other castaways.
In “The Twice-Born: Life and Death on the Ganges,” Aatish Taseer mourns the politicization of traditional Hindu values and the rise of religious bigotry.
We called “Sister Carrie” a book “one can get along very well without reading,” dismissed “Lolita” as “dull, dull, dull,” and had nothing nice to say about “Howards End.”
Novuyo Rosa Tshuma’s “House of Stone” uses a young man’s search for his personal ancestry as a way of unearthing hidden aspects of his country’s violent past.
Parodies of the president proliferate in books and on TV. But how do you ridicule a man who seems to have mastered the strategies of those who would hold him to account through humor?
Jerry Craft’s tale of an artistic black kid navigating a mostly white prep school, and Lincoln Peirce’s new series about a medieval girl who longs to be a knight.
Greek gods prowl the First World War. Medieval French nuns become executioners. A future U.S. rounds up Muslims. A scorned aristocrat pulls off the ultimate heist.