Ilya Kaminsky’s “Deaf Republic,” a poetry collection framed as a two-act play, proffers deafness as a source of strength and resistance against oppression.
Adam Higginbotham talks about his sweeping new history of the nuclear accident and its aftermath, and Nellie Bowles discusses Clive Thompson’s “Coders.”
Some of the best illustrated children’s books are not stories — they’re poems that use language, form and rhythm to let kids reflect, imagine and think.
“The Club,” by Leo Damrosch, is a dazzling history of the get-togethers during which London’s leading lights — including Samuel Johnson, Edward Gibbon and Adam Smith — ate, drank and exchanged ideas.
Bernard-Henri Lévy’s “The Empire and the Five Kings” and Ted Galen Carpenter’s “Gullible Superpower” offer conflicting advice on where we should go from here.
In Nathan Englander’s “Kaddish.com,” a Brooklyn man — who’s defected from Orthodox Judaism — hires a stranger to recite the Kaddish prayers for his father.
Alice Paul Tapper, who wrote “Raise Your Hand,” is just 11. And the author of the Expanse novels, James S. A. Corey, is really two men — Daniel Abraham and Ty Franck.
In her new novel, “Trust Exercise,” Susan Choi trains her lens on a group of high school drama students, zooming in first on their teenage years, then focusing on them years later.
“Solitary,” by Albert Woodfox, is a remarkable testament of suffering and self-transformation by a man who survived more than 40 years in solitary confinement.