URL:
https://www.nytimes.com/section/books/review
Updated:
2 hours 51 min ago
In “How We Named the Stars,” a young, queer student in mourning recounts the tale of a pivotal romance.
In her second novel, “Good Material,” Dolly Alderton adds her own flair to the classic rom-com.
In books like “The Monster Show” and “Screams of Reason,” he examined the cultural significance of movies meant to scare the bejesus out of people.
He won two Pulitzer Prizes by transforming accounts of doctors at work into in-depth, narrative articles that read like dramatic short stories.
The author Molly Roden Winter discusses her new memoir, “More,” about her and her husband’s decision to have an open marriage.
He oversaw a boom in the format beginning in the 1960s, turning out best-sellers like “Jaws,” “The Exorcist” and “The Catcher in the Rye.”
Nearly six decades ago, a German-born photographer, Evelyn Hofer, created beautifully crafted shots of the city and its people.
A story of gross beauty from David Sedaris and Ian Falconer, a scabrous tale from Beatrice Alemagna, and more.
The comedian goes off-script while revisiting her raw and hilarious memoir, “Leslie F*cking Jones.”
In “Subculture Vulture,” the comedian Moshe Kasher explores the six wildly differing communities that made him who he is, for better or worse.
Suggested reading from critics and editors at The New York Times.
He wrote lyrical poetry and novels about rural life in the Appalachian Piedmont, and was considered the South’s “premier contemporary person of letters.”
The creator of two mystery series has the latitude — and the attitude — to address matters other writers wouldn’t touch with a 10-foot pole.
New books by Emily Ruth Verona, Jenny Kiefer, Christopher Golden and Tlotlo Tsamaase riff on classic tropes and deliver thrilling scares.
“You’ve got to know when you’re onto a good thing,” says the prolific historian, British TV personality and author of “Wolves of Winter,” the second novel in his Hundred Years’ War trilogy.
The setting of “The Fury,” the new novel by Alex Michaelides, is stunning. Its plot? Not so much.
One in four books sold in France is a graphic novel. Increasingly, those include nonfiction works by journalists and historians.
Shubnum Khan’s “The Djinn Waits a Hundred Years” braids a rich historical love story with a contemporary coming-of-age tale in South Africa.
Practitioners of the solitary and highly secretive profession got together to compare notes and celebrate their work.
From Edith Wharton’s treatise on décor to a portrait of 1990s Tokyo, the books that designers return to again and again for inspiration.
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