In “How to Be a Good Savage,” Mikeas Sánchez’ poems help preserve her language, Zoque, and allow it to commingle with English and Spanish, in an effort that is both global and deeply local.
In “The Furies,” the journalist Elizabeth Flock reports the stories of three women who fought back — to defend themselves, other women or their people.
Reading her audiobook memoir, “How to Say Babylon,” the poet gives voice to her Jamaican roots, her early ambition and the Rastafari father who would have quashed it.
For my family, reading Scarry together was itself like a car trip — the rare sort where no one gets cranky and the world, as seen from the back seat, is fresh and startling.
For my family, reading Scarry together was itself like a car trip — the rare sort where no one gets cranky and the world, as seen from the back seat, is fresh and startling.
Finishing “The Portrait of a Lady” leaves the author of “Old Crimes,” a new story collection, “a little more confident.” Meanwhile, Rod Serling has a place on her shelves.