URL:
https://www.nytimes.com/section/books/review
Updated:
2 hours 7 min ago
Marci Shore’s “The Ukrainian Night” describes the protesters of a still-unfinished revolution.
In “Asymmetry,” Lisa Halliday weaves the tale of a May-December love affair into the account of an Iraqi-American economist detained at Heathrow.
Elizabeth Flock’s “The Heart Is a Shifting Sea” provides a close-up look at three couples in Mumbai.
Verses that will forge bonds between you and your little ones through the power of language.
In “Fire Sermon,” the author of the story collection “I Want to Show You More” describes a married woman’s love affair.
A selection of books published this week; plus, a peek at what our colleagues around the newsroom are reading.
The nine step money management system in “Your Money or Your Life” allowed both its writers to quit traditional work by the age of 30.
Madame Nielsen’s “The Endless Summer” — a novel combining nostalgia, reverie and tragedy — is about a family who decides to live it up.
In this dark, seething debut, 13-year-old Colin struggles to come to terms with his father’s suicide and his own sexuality.
Four authors explore the various ways that wedded life can go awry.
In her debut novel, “The Queen of Hearts,” the physician Kimmery Martin writes about lifelong friendship and the deceptions that can tear at it.
The novelist Tayari Jones keeps a Bible even though she was raised without religion: “I’ve come to understand that, as a black Southerner, I am a Christian, whether I am observant or not.”
Erica Garza’s debut memoir, “Getting Off,” reveals a path to rehabilitation that is equal parts sordid and inspiring.
In Tayari Jones’s new novel, “An American Marriage,” a newlywed black attorney is wrongly convicted of rape
In Molly McCloskey’s novel “Straying,” a feckless American marries into an Irish family, then looks for love elsewhere.
In “The Kiss,” Brian Turner collects musings on all aspects of the act, from the romantic to the familial to the tragic.
Laura Lippman’s new novel, “Sunburn,” draws its inspiration from 1940s noir like “Double Indemnity.”
In the 1970s, books like Judy Blume’s “Forever” showed teenagers that sex was natural and pleasurable. Now it’s more often a danger zone. What happened?
Peggy Orenstein reviews “Buzz” and “Vibrator Nation,” two new books about the history and significance of sex toys.
Pages