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Six new paperbacks to check out this week.
In “Educated,” Tara Westover recounts her remarkable journey from a remote mountainside in Idaho to Cambridge University.
In which we consult the Book Review’s past to shed light on the books of the present. This week: Joseph Wood Krutch and the future’s inevitability.
Readers respond to recent issues of the Sunday Book Review.
Four memoirs by doctors who explore the line that divides their identities as healers from that of fellow human beings.
John Leland’s book “Happiness Is a Choice You Make” chronicles the unlikely virtues of aging.
In books by Dhonielle Clayton, Tomi Adeyemi and others, teenagers from around the globe are inventive, romantic and above all empowered.
Hermione Hoby’s first novel, “Neon in Daylight,” offers a fresh take on the romance of urban life.
In “It’s Better Than It Looks,” Gregg Easterbrook argues the case for optimism in a time of troubles.
Crime novels by Jane Harper, Robin Oliveira, Christobel Kent and Steve Cavanagh probe the fate of women and girls: some just gone, some gone for good.
In “Enlightenment Now,” the Harvard professor offers much evidence that the world, our feelings notwithstanding, is definitely getting better.
“The Invention of Ana,” a novel by Mikkel Rosengaard, hinges on an ambiguous mentorship and the history of the Romanian revolution.
In her memoir, “Educated,” Tara Westover recounts her extraordinary journey from her survivalist family in Idaho to the lecture halls of the Ivy League.
Suggested reading from critics and editors at The New York Times.
In “Political Tribes,” Amy Chua assesses the growing trend toward zero-sum group competition.
Ian Buruma, whose new book is the memoir “A Tokyo Romance,” prefers villains to heroes: “It is hard to write about a good person without making him or her look like a bore.”
In “Enlightenment Now,” the psychologist continues his argument that conditions are improving for the species as a whole.
“But the deep subject of this book, what holds its disparate bits together, is not celebrity. It’s professionalism,” A.O. Scott writes.
Jane Kamensky published a biography of John Singleton Copley. Then she got a tattoo of his art.
In “Blue Dreams,” the psychologist Lauren Slater explores the intersection of personality and chemistry by way of her own history with antidepressants.
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