John Kay and Mervyn King’s “Radical Uncertainty,” Stanislas Dehaene’s “How We Learn” and Anthony David’s “Into the Abyss” plumb the depths of the brain.
“Hurricane Season,” by Fernanda Melchor, imagines Mexico’s scourge of violence against women in language that is fierce, profane and marvelously inventive.
The novelist Ann Patchett doesn’t have children and didn’t read middle-grade books. Then she picked up one by Kate DiCamillo and couldn’t stop until she’d read them all.
Ariana Neumann’s father had nightmares and an ID card in a different name. In her memoir, “When Time Stopped,” she unspools the past he kept hidden for so long.