Her new novel, “Dear Edward,” took eight years to write — and sometimes she could only squeeze in five minutes a day. But it’s her first to land on the best-seller list.
Claude McKay’s novel “Romance in Marseille” deals with queer love, postcolonialism and the legacy of slavery. It also complicates ideas about the Harlem Renaissance.
Echo Brown’s ‘Black Girl Unlimited,’ Anna-Marie McLemore’s ‘Dark and Deepest Red’ and Adam Silvera’s ‘Infinity Son’ expand the possibilities for teenage heroes.
At Simon & Schuster, best sellers were her stock in trade. She popularized the nonfiction political page turner, starting with “All the President’s Men.”
In “Race Against Time,” the Mississippi journalist Jerry Mitchell chronicles four key cases of racist violence from the 1960s and his role in unearthing damning new evidence.
Gabriel Bump’s “Everywhere You Don’t Belong,” about a young black man from Chicago’s South Side, balances emotional heaviness and levity, Tommy Orange writes in his review.
In “Unfinished Business: Notes of a Chronic Re-Reader,” the revered memoirist makes an urgent argument for the value of returning to a book you’ve already read.
In “My Autobiography of Carson McCullers,” Jenn Shapland describes how studying the novelist, who died in 1967, helped her reckon with her own identity.
“A Woman Like Her,” by Sanam Maher, investigates the killing of a 26-year-old social-media celebrity by her brother, and a culture in which independent, outspoken women are not easily tolerated.