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Liz Moore’s “Long Bright River” ticks all the boxes: eye-opening, thought-provoking and discussion-worthy. Now all you have to do is choose a date.
Crissy Van Meter’s debut novel, “Creatures,” floats a young woman’s coming-of-age atop the ebbs and flows of the sea.
Jonathan Waldman’s book “SAM” explores the potential of automating masonry, and the true believers who did their best to make it happen.
Ada Calhoun’s “Why We Can’t Sleep” documents the parameters of the “new midlife crisis” as women struggle with outsize demands and expectations.
In his new collection, “Summer Snow,” Hass uses his digressive style to shape wise poems of celebration, mourning and deep empathy.
Miranda Popkey’s dialogue-rich debut, “Topics of Conversation,” poses unanswerable questions of female autonomy and consent, in the manner of Rachel Cusk or Sally Rooney.
A selection of recent audiobooks of note; plus, a peek at what our colleagues around the newsroom are reading.
In Marcial Gala’s novel “The Black Cathedral,” a visionary preacher comes up against the grim realities of life in a Cuban backwater.
Three new books examine the many ways that humans and nonhumans interact.
“Dear Edward,” Ann Napolitano’s powerful new novel, follows a boy struggling in the wake of a plane crash that has killed the rest of his family.
Jack Hartnell talks about “Medieval Bodies,” and Matt Dorfman talks about his work as the Book Review’s art director.
Sean Adams’s dystopian debut novel, “The Heap,” literalizes the wreckage of late capitalism.
An excerpt from “Uncanny Valley: A Memoir,” by Anna Wiener
Anna Wiener’s memoir captures the dreams, delusions and general absurdity of Silicon Valley in indelible detail.
Marilyn Stasio’s latest column features a batch of escaped prisoners who scatter across the country and two eccentric sleuths digging up the past in Florida.
Readers respond to recent issues of the Sunday Book Review.
This week, Annalisa Quinn reviews John L’Heureux’s story collection “The Heart Is a Full-Wild Beast.” In 1984, L’Heureux wrote for the Book Review about “The Best American Short Stories 1984,” selected by John Updike.
Six new paperbacks to check out this week.
Suggested reading from critics and editors at The New York Times.
The characters are ambitious, angry and they have agency. How Greta Gerwig adapted a 150-year-old text for our time.
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