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https://www.nytimes.com/section/books/review
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1 hour 46 min ago
From the secret lives of planets to the mysteries contained in meteors, a look at books that explore the vast and fascinating cosmos.
“The Thirty Names of Night,” “You Exist Too Much” and “A Country for Dying” feature characters who leave home and long for new identities.
In Ed Park’s Graphic Content column, he looks at two new graphic novels: Katriona Chapman’s “Breakwater” and Pat Dorian’s “Lon Chaney Speaks.”
“The Freezer Door,” by Mattilda Bernstein Sycamore, reflects on the boundaries of gender and queerness, and the frustrating limitations of language.
“The Last American Aristocrat,” by David S. Brown, relates the incident-filled life of Henry Adams, the Gilded Age intellectual and historian who witnessed much of the 19th century from his privileged perch.
A selection of recent poetry titles; plus, a peek at what our colleagues around the newsroom are reading.
In “A Question of Freedom,” the historian William G. Thomas III writes about families who pursued more than a thousand freedom suits, a number of them successful.
Guillermo Stitch’s novel “Lake of Urine” is full of bristly characters and bizarre incidents.
The editors of The Times Book Review choose the best fiction and nonfiction titles this year.
In Lev Grossman’s first middle grade novel, “The Silver Arrow,” a magic steam train ride with talking animals gives a young girl a sense of purpose.
In “Alice’s Farm,” a brave cottontail and her brother secretly help a city family succeed at farming to save their bunny habitat from developers.
A.O. Scott talks about Williams’s fiction, and Nicholas Christakis discusses his new book about the coronavirus, “Apollo’s Arrow.”
Six new paperbacks to check out this week.
Readers respond to recent issues of the Sunday Book Review.
Suggested reading from critics and editors at The New York Times.
In “A Sound Mind,” the British journalist Paul Morley discovers the wonders of classical music.
“Wild landscapes, weird nature, science fiction — this really should be my jam. But no.”
The creator of Humans of New York went global in his new best seller. Now that we have to stay local, his perspective is more galvanizing than ever.
In the third installment of “The Americans,” his series on overlooked or under-read writers, A.O. Scott considers the idiosyncratic originality of an author whose influences extend from Hawthorne to Carver but whose imagination is wholly her own.
Patton Oswalt reviews “Alright, Alright, Alright,” an oral history by Melissa Maerz.
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