In the late 1960s and early 1970s, a series of novels by Black authors married revolutionary politics with pulp fiction. Their plotlines remain distressingly relevant.
Irving Howe wrote for the Book Review about American literature — “moving from visions to problems, from ecstasy to trouble, from self to society” — on July 4, 1976. “Land of the free? Yes, but also home of the exploited.”
Christopher Buckley’s “Make Russia Great Again,” Jessica Anthony’s “Enter the Aardvark” and the anthology “The Faking of the President” all have fun with American politics.
The wildly popular series was marketed to girls. But its nuanced depiction of friendship provided a 9-year-old boy with an education that “boy books” did not.
Amid the most profound social upheaval since the 1960s, these novelists, historians, poets, comedians and activists take a moment to look back to the literature.