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Six new paperbacks to check out this week.
Readers respond to recent issues of the Sunday Book Review.
Suggested reading from critics and editors at The New York Times.
“Many of them are not only dog-eared, but often double-cornered-dog-eared, the margins marked up with my own commentary.”
The new memoir by the Pulitzer Prize-winning poet Natasha Trethewey is an aching investigation of trauma and art.
An excerpt from “Memorial Drive,” by Natasha Trethewey
In “Big Friendship,” the best friends and podcast co-hosts rediscover their bond across a different kind of social distance.
A selection of recent poetry books of interest; plus, a peek at what our colleagues around the newsroom are reading.
In “The Apocalypse Factory,” Steve Olson tells the story of Hanford, a small rural town in Washington State that played an outsize role in America’s nuclear ambitions.
An excerpt from “Afterland,” by Lauren Beukes
In “Eat the Buddha,” Barbara Demick tells the story of Tibetan resistance to Chinese rule through the stories of the people who have seen it up close.
Cherie Dimaline’s new novel, “Empire of Wild,” calls on old tropes of myths and folklore, only to make them new.
Robert Draper’s “To Start a War” provides the deep background on the decisions that took America into war in the Middle East.
“A Dominant Character,” by Samanth Subramanian, recounts the turbulent life of J.B.S. Haldane, the great British biologist and political activist.
Michael D’Antonio’s “The Hunting of Hillary” recounts the efforts by the right to discredit Clinton and bring her down.
From big picture advice to helpful hints, survivors of the spotlight have some words of wisdom for you.
In “The Butterfly Lampshade,” objects are as alive as human beings.
In “Fathoms,” Rebecca Giggs ranges far and wide as she explores what our relationship to these enormous mammals reveals about ourselves.
Byron Lane’s novel, “A Star Is Bored,” is influenced by his experience working for Carrie Fisher.
Michel Paradis’s “Last Mission to Tokyo” explores the injustices and ironies of war crimes trials by looking at one example from postwar Japan.
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