URL:
https://www.nytimes.com/section/books/review
Updated:
51 min ago
“Sacrificio,” a novel by Ernesto Mestre-Reed, imagines an extreme counterrevolutionary movement during desperate times.
Two new middle grade novels with academic settings have a message for students: Beware adults who claim they only want what’s best for you.
Suggested reading from critics and editors at The New York Times.
When the “Crime Junkie” co-host’s debut novel came out, it didn’t seem real until she signed copies to the sound of boarding announcements.
Max Fisher’s “The Chaos Machine” examines the psychological impacts of technology.
“Somewhere along the line I liberated myself from the idea that I have to finish every book I start, instantly enlarging my exposure to new kinds of books.,” says the author and illustrator, whose latest picture book is “The Pigeon Will Ride the Roller Coaster!” “A book doesn’t have to be to my taste to be ‘good.’”
In her new novel, “On the Rooftop,” Margaret Wilkerson Sexton introduces a musical family with wide-ranging visions of happiness.
In King’s latest novel, a teenage boy discovers another world beneath a backyard shed.
Dipo Faloyin is tired of Western stereotypes.
“The Unfolding” takes readers inside the homes and meeting rooms of a dyed-in-the-wool conservative with big plans for change.
In “A Continent Erupts,” Ronald H. Spector chronicles the violent, internecine conflicts that overwhelmed Asia in the decade after World War II.
A new book by the historian Nicole Hemmer charts the demise of Reagan-style optimism and the birth of a rage-and-fear-based politics on the right.
In “The Life of Crime,” Martin Edwards takes on the colorful history of the detective novel, and its enduring fascination.
In “The House of Fortune,” Jessie Burton’s characters are 18 years older and much has changed.
Cultural criticism from Gary Indiana, David Collard and Charles Baxter.
In three journeys to the past, characters find themselves on quests that have nothing to do with the calendar or geography.
A new book collects six decades’ worth of the artist’s work.
The British Vogue editor wants to make the media — and the world — a more welcoming place.
James Hannaham’s new novel imagines a convict’s fateful re-entry into a much-changed Brooklyn.
For better or worse, Jay Gould revolutionized the world of finance in the 19th century. In “American Rascal,” Greg Steinmetz tells his story.
Pages