In “Prospero’s Daughter” and other novels, she explored the legacy of colonialism in her native Trinidad and the struggle for belonging in an adopted country.
In the last year, museums, book festivals, arts journals and other organizations have experienced bitter discord over what qualifies as tolerable speech about the conflict and its combatants.
“It is perhaps the most relaxing thing that I’ve ever done,” says the actress, whose new book of essays is “Lifeform.” She thanks her own mother for the gift of Margaret Atwood.
Percival Everett’s “James” is favorite for the prestigious literary award. But the likes of Rachel Kushner’s “Creation Lake” or Samantha Harvey’s “Orbital” could take the prize instead.
Peter Brown’s obsession with the abandoned railway that became the High Line led to two best sellers — including “The Wild Robot,” which is now a blockbuster movie.