After his father, who created the character, died, he continued the series of books about a modest elephant and his escapades in Paris for seven decades.
A poet, publisher and professor, she channeled the revolutionary spirit and deconstructionist currents of the 1960s to challenge the conventions of poetry.
Crafting the arguments in “You Get What You Pay For,” her first essay collection, “felt like pulling apart a long piece of taffy,” says the author of “Magical Negro.”
In his latest book, the prolific British psychoanalyst Adam Phillips promotes curiosity, improvisation and conflict as antidotes to the deadening effects of absolute certainty.