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https://www.nytimes.com/section/books/review
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2 hours 58 min ago
In her latest crime fiction column, Marilyn Stasio travels to some decidedly strange places.
New books on the Trump administration offer varying assessments of the president, drawn from many different sources.
In her latest Graphic Content column, Hillary Chute looks at emotionally stirring graphic novels from Cambodia and Japan.
Six new paperbacks to check out this week.
Suggested reading from critics and editors at The New York Times.
Writing “The Plague” during the decimation of World War II, Albert Camus used disease as a metaphor for war — but also for war’s remedy.
“I used to read on the tour bus to keep from missing my family,” says the country music star. “Now I read at night. I live way out and it gets real quiet.”
The singer’s latest hit is “Underdog.” Her memoir proves she is anything but one.
In Andrés Barba’s novel “A Luminous Republic,” a community is threatened by a pack of outsiders.
Dalia Sofer’s novel “Man of My Time” traces a man’s path from “baffled revolutionary to aging captive of a life gone wrong.”
An excerpt from “This Is Big: How the Founder of Weight Watchers Changed the World — and Me,” By Marisa Meltzer
An excerpt from “The Address Book,” by Deirdre Mask
An excerpt from “Miss Aluminum,” by Susanna Moore
With her first adult novel, “Chosen Ones,” the “Divergent” author Veronica Roth delivers another dark tale.
In this debut novel by the Chinese author An Yu, male characters propel the heroine into a journey of self-discovery.
Susanna Moore’s memoir “Miss Aluminum” is a provocative look at the early circumstances that shaped her writing career.
Nino Haratischvili’s “The Eighth Life” tells the story of a Georgian family over 100 years, from revolution to post-Soviet chaos.
In “No Filter,” Sarah Frier goes behind the scenes of the billion-dollar deal between Kevin Systrom and Mark Zuckerberg.
In “Becoming Wild,” the ecologist Carl Safina makes an argument that we should think of animals in terms of families and communities.
In “Simon the Fiddler,” an itinerant musician roams the state with his band during Reconstruction, scratching out a living and pining for his true love.
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