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https://www.nytimes.com/section/books/review
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2 hours 49 min ago
In “The Book of Longings,” Sue Monk Kidd imagines what it was like to be married to a man who could turn water into wine.
Two books remind us of other times when humankind suffered from mass contagions.
“I knew a lot about genitals at a very early age.”
An excerpt from “Sea Wife,” by Amity Gaige
In this time of crisis, Michiko Kakutani writes, we are reminded that literature provides historical perspective, connecting us with others who lived through similar events.
An excerpt from “Pelosi,” by Molly Ball
An excerpt from “All Adults Here,” by Emma Straub
An excerpt from “Little Eyes,” by Samanta Schweblin
“The Index of Self-Destructive Acts,” a new novel by Christopher Beha, considers the collapse of a Manhattan family in the wake of the financial crisis.
In a new book of essays, “The Hilarious World of Depression,” the podcast host John Moe explains how a sense of humor has saved his life.
Wendy Lesser’s “Scandinavian Noir” is an inquiry into a region and its people through four decades of reading its hottest fictional export.
“And Then They Stopped Talking to Me,” by Judith Warner, considers the lasting torment that is junior high.
In “The Book of V.,” Anna Solomon explores how lives connect across time.
In “All Adults Here,” a widowed mother struggles to reveal the truth of her past mistakes.
In Percival Everett’s novel “Telephone,” a geologist wrestles with reality after his daughter is stricken with a degenerative disease.
“The Belle Créole” and “The Wondrous and Tragic Life of Ivan and Ivana,” by Maryse Condé, examine colonialism and radicalization.
In “Fire in Paradise,” Alastair Gee and Dani Anguiano recount in granular detail how a raging wildfire destroyed a California town in 2018.
A selection of recent books of interest; plus, a peek at what our colleagues around the newsroom are reading.
“Little Eyes,” by Samanta Schweblin, is a brisk survey of 21st-century life as seen through the camera eyes of a plausible consumer fad.
First published in 1988, “Friend,” by Paek Nam-nyong, is a candid examination of domestic conflict and female ambition.
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