In “The Love Songs of W.E.B. Du Bois,” by Honorée Fanonne Jeffers, history is everything — an inheritance of secrets, lies, talents, betrayals, ambition, accomplishment and possibility.
In “Sexual Justice,” Alexandra Brodsky, a civil rights lawyer, homes in on the processes by which such cases are typically adjudicated — and how to improve them.
In her memoir “Seeing Ghosts,” the author recounts her mother’s death and her immigrant family’s numerous migrations, separations and losses, evoking the way grief entails a particular, perpetual sorrow.
In “God, Human, Animal, Machine,” the essayist and cultural critic Meghan O’Gieblyn traces how our conception of the human mind has been shaped by our tech-driven era — and what such a view leaves out.
In “Flashes of Creation,” Paul Halpern offers a dual biography of George Gamow and Fred Hoyle, two midcentury physicists who debated the origins of the universe.
Though his novels and short stories — published over six decades, beginning in 1934 — are set in an older, more decorous America, he grapples with themes that feel shockingly contemporary.
Two new books, Edith Widder’s “Below the Edge of Darkness” and Helen Scales’s “The Brilliant Abyss,” explore the darkest reaches and all that glows there.