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Four new titles either allude to the elusive commodity or grab it by the shoulders and pin it onto the page.
“They stopped speaking to him after he wrote some pretty cruel stuff about my mom in a story published in Esquire in 1975. I wouldn’t want Truman to stay very long though, and he couldn’t have any alcohol. Actually let’s make it Truman circa 1966, not the bloated Truman of 1975.”
In “The Platform Delusion,” Jonathan Knee takes apart the magical aura that surrounds one of Silicon Valley’s biggest conceptual exports.
A selection of books published this week.
An excerpt from “Fuzz,” by Mary Roach
In “Hurts So Good,” Leigh Cowart explores the science and culture of masochism, from the competitive pepper-eater to the ultramarathoner to sex of a certain variety.
“Civilizations,” by Laurent Binet, imagines a counterhistory of the Spanish conquests.
“Palmares” — her first novel since 1999’s “Mosquito” — is an emancipation story set in 17th-century Brazil.
In her memoir, “The Girls in the Wild Fig Tree,” Nice Leng’ete tells the story of her courageous fight against female genital mutilation.
“Of Fear and Strangers,” by George Makari, examines the history of xenophobia, its evolution in modern times and how we might combat it.
In her second memoir, “You Got Anything Stronger?,” the actor bares her struggles with fertility, rape, aging and grief.
“Harlem Shuffle” luxuriates in the seedy spaces of late night, “when the straight world slept and the bent got to work.”
In Vince Passaro’s new novel, “Crazy Sorrow,” two college students meet in 1976. Their story spans decades.
“Talk to Me” tracks the complex relationships among a professor, his undergraduate assistant and a chimp who knows sign language.
In “Travels With George,” a book that’s part history and part travelogue, Philbrick retraces Washington’s steps in an effort to understand America’s problems then and now.
In “Fuzz,” Mary Roach explores the tricky terrain where humans and wildlife overlap and often collide.
Samuel Moyn’s “Humane” explores America’s enthusiasm for making wars more humane even if it assures us of future wars.
In Natasha Brown’s slim debut novel, “Assembly,” the social critique matters more than the plot.
In “I Was Never the First Lady,” the protagonist sets out to find the mother who abandoned her, and Cuba, long ago.
In “Apples Never Fall,” the author of “Nine Perfect Strangers” and “Big Little Lies” serves readers the tale of a missing mother and tennis pro.
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