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Two days after Olivie Blake’s novel “The Atlas Six” hit the best-seller list, her editor posted a strongly worded resignation letter on Twitter.
Readers respond to recent issues of the Sunday Book Review.
Deborah Cohen’s “Last Call at the Hotel Imperial” tells the story of four foreign correspondents who sounded the alarm from Europe before World War II.
In “Tell Me Everything: The Story of a Private Investigation,” Erika Krouse tells twin stories of working a case and exploring personal trauma.
A selection of books published this week; plus, a peek at what our colleagues around the newsroom are reading.
First published in Argentina in 1969, Héctor Germán Oesterheld’s “Life of Che” has finally been translated into English.
Kelsey Ronan’s debut novel, “Chevy in the Hole,” follows a budding romance between opposites amid a civic crisis.
In “We Don’t Know Ourselves,” Fintan O’Toole reckons with a life spent in a wildly changing homeland.
William Neuman’s “Things Are Never So Bad That They Can’t Get Worse” recounts the recent decline of Venezuela — and how that decline is continuing.
Eloghosa Osunde’s “Vagabonds!” is set in the Nigerian capital, where homosexuality is punished by law.
Elena Medel’s debut novel, “The Wonders,” explores daily life in Spain beyond the tourist clichés.
Sara Novic’s new novel, “True Biz,” takes readers beyond the hearing world.
In Mike Meginnis’s new novel, everybody on earth has the same dream that the world will end soon.
In her new novel, “Mecca,” Susan Straight creates a wide and deep view of a dynamic, multiethnic Southern California.
In his novel “The Fruit Thief,” the Austrian Nobel laureate tells us not just the story but the conditions from which it emerged.
In “The Bond King,” Mary Childs traces the rise and fall of the superstar fund manager.
Three new true-crime books traipse through murder and mayhem around the globe.
In “The Turning Point,” Robert Douglas-Fairhurst argues that 1851 was pivotal to the novelist and literature itself.
In these new romance novels, weddings aren’t bows tied on at the finish — they’re the starting point.
In “Extreme North,” Bernd Brunner explores the idea of what “the north” means to different cultures — and why.
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