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Fintan O’Toole talks about “We Don’t Know Ourselves,” and Julie Otsuka discusses “The Swimmers.”
Three dazzling new short-story collections rattle and shake with horror and heartbreak.
John Markoff’s “Whole Earth” traces Brand’s career, from counterculture impresario to management consultant.
Six new paperbacks to check out this week.
Even utopian Sweden has mean girls, but in Kristina Sigunsdotter’s “The Secrets of Cricket Karlsson” theirs is a kinder, quirkier cruelty.
“A Duet for Home” interweaves the story lines of two music-loving preteens living in a South Bronx homeless shelter.
Suggested reading from critics and editors at The New York Times.
In “Every Good Boy Does Fine,” the concert pianist recalls his artistic and erotic awakening.
The note — found at a murder scene in Simone St. James’s spine-tingling new novel, “The Book of Cold Cases” — seemed to implicate one woman. Or did it?
In his best-selling picture book, the comedian shows how fear and anxiety can fold in the face of teamwork.
Readers respond to recent issues of the Sunday Book Review.
Shields used to idolize Marcel Proust’s “In Search of Lost Time.” But these days it “feels to me sort of twee. ... I need more comedy, more urgency, more white space.”
A selection of books published this week.
In María Gainza’s mystery “Portrait of an Unknown Lady,” the truth of Buenos Aires’s shady art underworld is in the eye of the beholder.
Greg Bluestein’s “Flipped” argues that Georgian voters are turning away from the Republican Party.
Helen Rappaport’s “After the Romanovs” explains why Paris became the gravitational center for exiles both before and after the Russian Revolution.
Three new historical novels whisk readers back to the Civil War, World War II and medieval times.
In her 24th novel, “French Braid,” Tyler works on a bigger canvas than usual to explore the costs and rewards of family life amid secrets, distance and stifled ambition.
A reading list hints at the richness and breadth of African American children’s writing before Brown v. Board of Education.
Sara Manning Peskin talks about “A Molecule Away From Madness,” and J. Kenji López-Alt discusses “The Wok.”
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