In Marisa Crane’s debut novel, “I Keep My Exoskeletons to Myself,” a queer, grieving mother must learn how to raise a newborn baby who is marked from birth as a bad actor.
“Have Mercy on Us” moves from Greece to Kenya to California; “Call and Response” is set in Botswana; “Welcome Me to the Kingdom” explores Bangkok’s dark corners.
“Unscripted,” an account by the Times journalists James B. Stewart and Rachel Abrams of the media titan Sumner Redstone’s final years, is a chronicle of corporate greed, manipulation, misogyny and sexual impropriety on a spectacular scale.
Contemporary fiction writers have only just begun to address the dating app revolution, but when they do the results are often new, bold stories about human connection and desire.
“It wasn’t a compliment,” says the writer, whose latest novel is “Someone Else’s Shoes.” “My weekly visits to her were usually spent with my nose buried between the pages.”
In “The Declassification Engine,” Matthew Connelly traces the evolution of America’s obsession with secrecy and the alarming implications for our understanding of the past.