“It is perhaps the most relaxing thing that I’ve ever done,” says the actress, whose new book of essays is “Lifeform.” She thanks her own mother for the gift of Margaret Atwood.
“The Impossible Man,” by Patchen Barss, depicts the British mathematical physicist and Nobelist Sir Roger Penrose in all his iconoclastic complexity.
Most bets were on Percival Everett’s “James,” but the judges chose Harvey’s “beautiful, miraculous” novel, which is set aboard a space station.
“Set My Heart on Fire” follows a young woman through a world of drugs, music and highly conditional relationships.
In “Four Points of the Compass,” Jerry Brotton explores the disorienting, dizzying history of our relationship to direction.
Sergio De La Pava’s novel “Every Arc Bends Its Radian” is a detective story that takes a strange turn in Colombia’s dark underbelly.
The celebrity chef’s second children’s book, “Billy and the Epic Escape,” faced accusations that it stereotyped First Nations people in Australia.
In a new biography, Peter Ames Carlin chronicles the rise of an indispensable band and the evolution of its music.
Percival Everett’s “James” is favorite for the prestigious literary award. But the likes of Rachel Kushner’s “Creation Lake” or Samantha Harvey’s “Orbital” could take the prize instead.
Peter Brown’s obsession with the abandoned railway that became the High Line led to two best sellers — including “The Wild Robot,” which is now a blockbuster movie.
Our columnist on a handful of recently reissued crime novels, all of which are worth your time.
Our columnist on a handful of recently reissued crime novels, all of which are worth your time.
What a 19th-century Swiss novel, and a young fan’s pilgrimage to the Alps, taught me about fatherhood.
He memorably portrayed a frizzy-haired science teacher roping her elementary school class into adventures aboard a shape-shifting yellow bus.
In his latest book, the Rolling Stone writer David Browne tracks three decades of folk, blues, rock and jazz below 14th Street.
In a dual biography, the journalist Lili Anolik casts the two writers as opposite sides of the same ambitious, 1960s-Hollywood coin.
In “Stranger Than Fiction,” Edwin Frank maps a path from Dostoyevsky to Sebald, finding mystical power and surprising ties among 20th-century writers.
As Paul French argues in a new biography, the future Duchess of Windsor’s year in China was less lurid — and more interesting — than her critics knew.
In “The Magnificent Ruins,” an Indian expatriate reunites with her estranged family after her grandfather unexpectedly made her heir to his estate.
Esther Kinsky reflects on the nature of seeing in a book about an old cinema in Hungary.
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