A Pulitzer Prize-winning journalist, she went on to write about “hookup culture” and young women’s sexual experiences for The Washington Post and in a best-selling book.
He won a National Book Award for “Spartina,” beating out novels by Amy Tan and E.L. Doctorow. A longtime professor, he lived for a time without electricity on an island.
“How to End a Story” collects three volumes of the Australian novelist’s self-conscious, sometimes harrowing journals.
Two new memoirs show the commonalities — and differences — in the end of every marriage.
A lavish photo book collects images old and new of elaborate estates, manors, chateaus and Schlosses in the European countryside.
In “Taking Manhattan,” Russell Shorto pays close attention to the darker aspects of colonial life on the island at the center of the world.
Sarah Lyall, who writes the monthly thrillers column for The New York Times Book Review, recommends four of her favorite thriller novels.
In her first novel since “Americanah,” she draws on a real-life assault as she follows the lives of three Nigerian women and one of their former housekeepers.
In Jeremy Gordon’s novel, “See Friendship,” a journalist reinvestigates his past, only to discover the story he was told about his friend’s death wasn’t true.
Two teenage boys set out north with few plans and plenty of frustrations in Vijay Khurana’s novel, “The Passenger Seat.”
A Scott and Zelda roman à clef; a photo collection of 1920s Paris.
In Charlotte McConaghy’s novel “Wild Dark Shore,” the caretakers of a remote research base brave an escalating crisis.
When her father died, the author of “Americanah” produced a slim work of nonfiction. When her mother died, she poured her grief into a sprawling 416-page novel.
In her memoir, “Raising Hare,” Chloe Dalton describes how a leveret changed her outlook on life during the pandemic and beyond.
She gave voice to an overlooked French-speaking population in Canada, adapting an archaic language that had survived through oral tradition.
Harvey’s novel about six astronauts living and working on the International Space Station won the 2024 Booker Prize.
In this Robert Wilson production, Isabelle Huppert is everywhere onstage, all at once, reciting a nonstop script that may well touch on everything.
In novels like “The Glitter Dome” and nonfiction works like “The Onion Field,” he took a harsh, unglamorous look at the realities of law enforcement.
Our columnist reviews three new horror books out this month.
In March, the Book Review Book Club will read and discuss “We Do Not Part,” the Nobel laureate Han Kang’s novel about history, tragedy and the work of remembering.
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