Pam Jenoff's new novel follows two women who sign on with a German traveling circus — and the Jewish baby they're both determined to protect as the darkness of World War II falls across Europe.
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George Saunders — master of the short story — debuts as a novelist with this strange, haunting (and haunted) tale of President Lincoln as he grieves the death of his young son Willie.
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Poetry reviewer Tess Taylor declares Sarah Manguso's new book, 300 Arguments, is poetry, not essays — or is it?
The narrator of Vivek Shanbhag's new novel once lived a lower-class subsistence in Bangalore. Critic Maureen Corrigan says Ghachar Ghochar embodies the "fear of falling into economic and moral ruin."
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Beagle has spent his career writing about unicorns — and he returns to that enclosed garden with In Calabria, the tale of a grouchy farmer who finds a pregnant unicorn investigating his fields.
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Margaret Drabble's new novel follows a 70-something woman as she travels around England for her job — working with old age homes — and grumbling about how sad, funny and genuinely absurd aging is.
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Bill Hayes was Sacks' partner during the renowned author and neurologist's last years, and Insomniac City is a charming, intimate portrait of their relationship, full of sweet, unguarded moments.
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Sure, it's Valentine's Day — the day we set aside for flowers, chocolates, wine and declarations of love. But love is more than one day, so here are three romances you can enjoy any time of year.
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Katie Kitamura's new novel follows an unnamed narrator who tails her estranged, disappeared husband to Greece — while keeping the ominous surroundings and disquieting emotions at a cool remove.
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Musician and author John Darnielle's new Universal Harvester follows three connected stories in three different eras, in an unsettling fairy tale about mysterious images that appear on video tapes.
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The acclaimed short-story writer sets his first novel in the cemetery where 11-year-old Willie Lincoln was buried. Critic Maureen Corrigan calls Lincoln in the Bardo "searing, inventive and bizarre."
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Viet Thanh Nguyen's new collection looks at how it feels and what it means to be a refugee. It's a wonderful group of stories that prove fiction can do more than tell stories, it can bear witness.
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Ali Smith kicks off a seasonally-themed quartet with this ultimately uplifting look at the lifelong friendship between a young woman and her unconventional childhood soulmate, an artistic gay man.
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2017 is turning out to be a year of big change. Critic Craig Teicher highlights some of the poetry that can help guide readers through it.
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Giorgio De Maria's cult novel was first published in Italy in 1977. It's a spooky piece of magical realism that captures a chaotic time in Italian history, starting gently and getting seriously weird.
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Min Jin Lee's sprawling family epic spans decades and two clashing cultures — Korea and Japan. It's honest, unadorned writing that acknowledges horror but ultimately carries a message of hope.
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In Pretending is Lying, Dominique Goblet takes a scruffy, postmodern approach to autobiography, with photographic images and wildly morphing character depictions that question our ideas of truth.
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Nnedi Okorafor's Binti: Home is the second installment in her series following a young woman with grand interstellar dreams, who now must reconcile her university experiences with her home culture.
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Artist Joe Ollman's new The Abominable Mr. Seabrook is a biography of the Lost Generation travel writer (and sadist, alcoholic and cannibal) William Seabrook. But how much Seabrook can you stand?
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Paul Auster's new novel is a departure for the author — 880 pages of flowing prose about four versions of one character, living four mostly-parallel lives. It's sometimes confusing, but never boring.
(Image credit: Marian Carrasquero/NPR)
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