M.R. Carey follows up his zombie apocalypse thriller The Girl With All The Gifts with a standalone story set in the same world, also featuring an unusual child and a crew of determined scientists.
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In this prequel to Code Name Verity, Elizabeth Wein creates a charming, compelling heroine who, along with a diverse supporting cast, must solve the mystery of a disappearance on her parents' estate.
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The 11 stories in Joshua Ferris' new collection have all been published before, but they provide a fine showcase for his sly wit, proceeding from the ordinary to the uncomfortable and even bizarre.
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Ivanka Trump's new book — named after her brand's marketing campaign — is packed with anodyne advice borrowed from others, and a striking lack of awareness about economic and racial realities.
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Trump's new book is billed as a resource for women trying to reach their dream professional lives, but it is fairly short and nonspecific about how to get there.
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Pulitzer Prize-winning author Elizabeth Strout explores class humiliation and loneliness in her new book. Critic Maureen Corrigan says Anything Is Possible is the work of a writer who is on her game.
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Daisy Johnson's story collection is set in the marshlands of eastern England — now mostly, catastrophically drained. It's beautifully creepy, hard to explain but easy to read over and over again.
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Fitzgerald wrote most of his best work in his 20s, and the stories in this new collection — all unpublished or uncollected — demonstrate how hard it was for him to deliver what readers wanted.
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W. Maxwell Prince's bloody, silly and deeply likeable new graphic novel imagines a world where works of art are real spaces you can step into — with real problems that can cause hundreds of deaths.
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Kate Moore's account of the sufferings and struggles of the Radium Girls — factory workers who were poisoned by the glowing radium paint they worked with — reads like a true crime narrative.
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Cory Doctorow's latest novel is set in a ripped-from-the-headlines near future dystopia, where the creative and the capable — and the lost — are walking into the wilderness to build a new world.
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Lucy Maud Montgomery — creator of Anne of Green Gables — seems like the perfect subject for a work of young adult fiction. But Melanie Fishbane's Maud feels like a draft of a Montgomery story.
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Cartoonist Guy Delisle departs from the first-person travelogue format which has won him acclaim to chronicle the true story of a man kidnapped and detained for months in the Caucasus region in 1997.
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Elizabeth Strout's new novel-in-stories is a welcome salve for troubled times. A companion volume to last year's My Name is Lucy Barton, Anything is Possible looks at the people Lucy grew up with.
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Dani Shapiro's new memoir dramatizes the dizzying ways a lifetime passes, loops around, speeds up and sometimes seems to stand still. Critic Maureen Corrigan calls it an incisive and charged work.
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Speeches in book form are a reliable cash cow for publishers, and tend to fall into the "last minute gift idea" category. But David McCullough's new The American Spirit is a happy exception.
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Kristen Radtke is an experienced writer and artist, but her graphic memoir — about grief, loss and obsessive travel — disappoints with rudimentary illustrations and spotty storytelling.
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From ugly fish like sea robin to the discarded parts of livestock, like ox cheeks and chicken feet, a new book celebrates repugnant-looking but flavorful foods, and urges us to eat more of them.
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Sofia Samatar is the creator of an award-winning fantasy world; she sticks closer to earth in her powerful first story collection, but it's not always the earth we might recognize.
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Lidia Yuknavitch reimagines Joan of Arc as a freedom fighter on a blighted future earth, setting herself against the charismatic ruler of a satellite colony of nearly unrecognizably mutated humans.
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