Aiming to unsettle readers and offer social critique, writers like Samanta Schweblin and Mónica Ojeda are in a new vanguard.
A dishy biography of the photographer and playboy Peter Beard never fully explains why so many in the artist’s circle overlooked so much bad behavior.
In his new book, Tyler Kepner digs into the history of the Fall Classic, including a look at unheralded players who stepped up for their teams at exactly the right time.
In Lydia Millet’s 13th novel, “Dinosaurs,” a middle-aged oil heir leaves behind heartbreak in New York City for the “alien beauty” of the Arizona desert.
Our critic recommends old and new books.
Silicon chips power everything from cars and toys to phones and nukes. “Chip War,” by Chris Miller, recounts the rise of the chip industry and the outsize geopolitical implications of its ascendancy.
A sprawling book by the journalist Andrew Meier traces four generations of epoch-making Morgenthaus, culminating in the life of the borough’s longest-serving district attorney.
The mystery driving “The Maze” is a fascinating one, but the main character? He’s an insufferable jerk.
Jorie Graham’s new book, an omnibus volume of her last four collections, shows that some themes have been present in her career from the start.
Nicholas Buccola talks about “The Fire Is Upon Us,” and Lydia Millet discusses “The Children’s Bible.”
It’s who Jackie Robinson and Tommie Smith were off the field that elevates two new books about them.
In “Savor,” readers get to know Fatima Ali, the brave woman who was beloved by Food Network audiences and her family.
A posthumous release of the songwriter’s unseen novel and stories from the 1950s reveals his nascent fascination with human frailty.
Mila Kunis plays a successful career woman who faces a horrific incident from her past in this drama based on the novel by Jessica Knoll.
An uncompromising voice in the women’s movement’s second wave, she focused on working-class women and later on women’s rights around the world.
Suggested reading from critics and editors at The New York Times.
Ernaux’s writing has spoken particularly to women and to others who, like her, come from a working class seldom depicted with such clarity in literature.
The French philosopher and sociologist said that Ernaux had always been “a great personal inspiration.”
The French writer, who was awarded the 2022 Nobel Prize in Literature, blurs the line between fiction and memoir with spare prose she has characterized as “brutally direct.”
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