His new memoir, “Waxing On,” sees the ’80s star making peace with the role that has brought him back into circulation thanks to “Cobra Kai.”
In her new memoir, “Newsroom Confidential,” Margaret Sullivan argues that traditional ideas about reportorial objectivity need to be re-examined in an era of constant assaults on truth.
“Madly, Deeply” recounts the English actor’s greatest years of fame.
In “Half American,” Matthew F. Delmont tells the stories of the Black Americans who helped win the war abroad while battling racism at home
Compiled from interviews he gave to a close friend, “The Extraordinary Life of an Ordinary Man” sheds light on the self-doubt of the seemingly imperturbable Hollywood star.
Compiled from interviews he gave to a close friend, “The Extraordinary Life of an Ordinary Man” sheds light on the self-doubt of the seemingly imperturbable Hollywood star.
“Demon Copperhead” reimagines Dickens’s story in a modern-day rural America contending with poverty and opioid addiction.
In “Poster Girl,” Veronica Roth imagines life after a surveillance state. Its collaborators are excommunicated — with one exception.
The characters in this collection endure ordeals with unstinting energy and humor.
“In the Mouth of the Wolf” investigates the death of Regina Martínez, who exposed abuses in one of the most dangerous countries for journalists.
The acclaimed writers are communing once again in productions of “Baldwin and Buckley at Cambridge” and “A Raisin in the Sun” at the Public Theater.
The writer, celebrated for his short stories, discusses his 2017 debut novel, and the journalist Patrick Radden Keefe talks about “Say Nothing: A True Story of Murder and Memory in Northern Ireland.”
In “Demon Copperhead,” Barbara Kingsolver reimagines “David Copperfield” as a tale set in Southern Appalachia, and brings humanity and humor to a region and people who have long endured exploitation and condescension.
Anthony Sattin, the author of a new book on nomadic groups, discusses how contemporary travelers and digital nomads can learn a few things from traditional cultures.
The Pulitzer-winning novelist uses “The Passenger” and “Stella Maris,” his first novels in 16 years, to explore math and physics, fields that have long fascinated him.
A passage from Cormac McCarthy’s first novel since his Pulitzer Prize-winning 2006 book “The Road.”
Seeming to contain everything, Lucy Ives’s “Life Is Everywhere” literalizes Ursula K. Le Guin’s “carrier bag” theory of fiction.
New books about language, fairy tales and the paths we don’t pursue.
The stories in Samanta Schweblin’s “Seven Empty Houses,” a finalist for the National Book Award in translated literature, tear down the delicate scaffolding of home.
Suggested reading from critics and editors at The New York Times.
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