A collection of fantastical short stories and a book of poems about escaping capitalist society were also among the 2022 winners.
The former publishing employee who pleaded guilty to stealing unpublished book manuscripts was ordered to be deported and to pay $88,000 in restitution.
A selection of recently published books.
Suggested reading from critics and editors at The New York Times.
The New-York Historical Society award goes to Beverly Gage, whose “G-Man: J. Edgar Hoover and the Making of the American Century” puts a notorious character in context.
“People sometimes ask why I want to read horror at all, let alone write it,” says the horror novelist, whose new book is “Lone Women.” “So much writing glances off the hardest and worst experiences, but horror confronts the worst that happens. ... A good horror novel doesn’t lie to you.”
A new report from the American Library Association showed a spike in censorship efforts, with 1,269 attempts.
In “All the Knowledge in the World,” Simon Garfield recounts the history of the encyclopedia — a tale of ambitious effort, numerous errors and lots of paper.
In “The Adventures of Amina al-Sirafi,” the first book in a new series by Shannon Chakraborty, a retired pirate gets an offer she can’t refuse.
An awe-struck, awful, careening sensation of loss is held in place by the weight of language itself.
The musician and producer Ahmir Thompson, better known as Questlove, is starting his own imprint, with eye toward a mix of memoir, history and more.
In “Bottoms Up and the Devil Laughs,” Kerry Howley explores how the erosion of privacy has fueled conspiracy theories and the national security state.
In his novel “Old God’s Time,” Sebastian Barry puts a retired policeman on a case that dredges up painful memories.
He was a historian of India and Tibet, but best known for his biography of Naipaul, which one reviewer described as “a portrait of the artist as a monster.”
In “Guardians of the Valley,” Dean King chronicles the friendship between the naturalist John Muir and the journalist Robert Underwood Johnson.
Alarmed by the country’s political divisions, Jeff Sharlet embarked on an anguished quest to understand the rise of antidemocratic extremism. In “The Undertow,” he documents his findings.
In “Benjamin Banneker and Us,” Rachel Jamison Webster uncovers Black ancestors she never knew about, and with the help of far-flung relatives assembles her family’s story.
In Jinwoo Chong’s debut novel, “Flux,” a time-warping discovery impacts the lives of three people coping with personal and systemic traumas.
In “Walk the Walk,” Neil Gross profiles three departments around the country experimenting with genuine reform.
Romance — nostalgic, obsessive or consuming — is at the heart of Madelaine Lucas’s “Thirst for Salt,” Keiran Goddard’s “Hourglass” and Alison Mills Newman’s “Francisco.”
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