How a language barrier can both limit and liberate.
The Stinging Fly has helped launch several of Ireland’s most promising writers. How has a publication with 1,000 subscribers carved a niche in the Irish canon?
Recent automatic updates to e-book editions of works by Roald Dahl, R.L. Stine and Agatha Christie are a reminder of who really owns your digital media.
In “The Manifestor Prophecy,” 12-year-old Nic Blake draws supernatural strength from her “Remarkable” African American forebears.
The author of “Rent Boy” and “Do Everything in the Dark” reflects on a life of writing and art.
In her roller-coaster ride of a gothic debut novel, “House of Cotton,” Monica Brashears upends expectations at every turn.
In “Spoken Word: A Cultural History,” Joshua Bennett traces the roots, rise and influence of a movement that continues to reverberate.
In “The Wounded World,” Chad Williams examines the scholar-activist’s struggle to complete a book about Black troops’ experiences during World War I.
A century ago, justice-seeking bandits derailed a train in rural China and took dozens of hostages, a story unspooled by James M. Zimmerman in “The Peking Express.”
In Ling Ling Huang’s debut, “Natural Beauty,” a woman discovers that there are horrors lurking beneath the surface of a glamorous company.
In “Seventy Times Seven,” Alex Mar traces the complex, human story of a heinous tragedy and its fallout.
“True West” is a new biography of a playwright and actor who was laconic in person but spoke volumes in his work.
Agatha Christie. Roald Dahl. Ian Fleming. Classics are being reworked to remove offensive language. But some readers wonder, when does posthumous editing go too far?
In “Humanly Possible,” Bakewell brings her signature blend of wit and philosophical sophistication to the complex, sometimes contentious 700-year history of humanist thought.
In a new book, Timothy Egan traces the Klan’s expansion in the 1920s across American political and civic life. Then its leader, David C. Stephenson, committed murder.
Playing Blanche DuBois is shattering, say the actresses featured in Nancy Schoenberger’s “Blanche.” But Tennessee Williams’s most indelible character is now a figure of sympathy.
In a new collection, Fernanda Melchor considers not just violence but how people cope in a troubled region.
They came. They drank. They staged plays and argued about Shakespeare. For dozens of up-and-coming writers, actors and artists, it was nice while it lasted.
As Annie Cohen-Solal shows in “Picasso the Foreigner,” the Spanish master was always under suspicion in France, simply for being not-French.
George Black’s new book, “The Long Reckoning,” describes the environmental devastation of the Vietnam War.
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