His clever, melancholic mind produced some of the most enduring heroes in spy fiction. Here are his best books.
“Blight,” by Emily Monosson, chronicles the threats fungal pathogens pose to humans, animals and plants as the world’s most devastating agents of disease.
In “Jews in the Garden,” the journalist Judy Rakowsky helps a relative uncover the truth of what happened to their family during World War II.
New books by Heidi Julavits, Amelia Possanza and Fern Brady explore a future of self-discovery by mining the past.
“Not Even the Dead,” a novel by Juan Gómez Bárcena, is a transhistorical epic with echoes of Cormac McCarthy and Joseph Conrad.
In “Under the Eye of Power,” Colin Dickey unearths the long, disturbing history of fearmongering in American politics and culture.
A previously unknown manuscript explores the ultimately unknowable psyche of the Provensens’ favorite feline.
In “When Crack Was King,” Donovan X. Ramsey offers a fresh history of the epidemic that gripped minority communities, inflamed media coverage and led to draconian drug laws.
Looking to a maestro on the mound to improve your writing game.
Martin Sherwin struck the deal and dove into the research. But it was only when Kai Bird joined as a collaborator that “American Prometheus” came to be.
In “The Parrot and the Igloo,” the novelist and journalist David Lipsky spins top-flight climate literature into cliffhanger entertainment.
In his riotous new novel, “Hope,” Andrew Ridker finds the humor in a family’s plummet from grace.
Her new collection, “Onlookers,” is about shattered certainties in the wake of quarantine, growth and unrest.
In her debut novel, “The Centre,” Ayesha Manazir Siddiqi explores class anxiety, identity, appropriation and more through a sinister language school.
Andrew Lipstein’s shrewd novel finds a moneyed Brooklynite so unmoored that he starts to identify with animals he has long overlooked.
In her memoir “Thunderclap,” the British art critic Laura Cumming explores her passion for the virtuosic images of everyday life by painters from Dutch art’s golden age.
The pseudonymous South Korean author’s first novel to be translated into English pits a multinational conglomerate against life on earth.
“The Fourth Turning” was a curiosity when it was published in the 1990s. Its influence has grown since then, and a sequel is on the way.
In Sarah Rose Etter’s novel “Ripe,” a 30-something writes marketing copy by day, but spends her nights diving deep into the void.
Nicole Flattery’s debut novel, “Nothing Special,” follows the protagonist through a menial and disorienting day job transcribing tape recordings — at Andy Warhol’s Factory.
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