In a new book, the Broadway photographer Jenny Anderson captures the craft and camaraderie of making theater.
Pam Muñoz Ryan’s “El Niño” combines magical realism, climate fiction and coming-of-age sports tales.
Her best-selling romances have made her a new standard-bearer of the genre.
He wrote prolifically about various aspects of the arts and popular culture. But he kept his focus on jazz, celebrating its past while worrying about its future.
A powerhouse of the genre, she published around 100 short stories and 17 novels, one of which was adapted into the acclaimed film “The Lady Vanishes.”
Suggested reading from critics and editors at The New York Times.
In the 1960s and ’70s, his leggy femmes fatales beckoned from paperback covers and posters for movies like “Breakfast at Tiffany’s” and “Thunderball.”
In his personal, engaging new book, “Sorrowful Mysteries,” the novelist and journalist Stephen Harrigan explores the enduring power of the Virgin of Fatima.
Readers can decide when “Notes to John,” which shows the writer grappling with guilt and vulnerability, is published next week.
In his new book, “The Illegals,” Shaun Walker studies the Russian agents who worked deep undercover as Americans for decades.
She is one of many authors who lost their homes in January. “Surely,” she says, “readers would love nothing more than to send their favorite books to their favorite writers.”
An American who had lived abroad, he sought out books by up-and-coming German writers, while ghostwriting memoirs for rock stars like Paul Stanley.
In Sean Hewitt’s novel, “Open, Heaven,” two isolated boys develop an intense, undefined relationship.
Heather McGowan’s novel “Friends of the Museum” takes place over a single, chaotic day in the lead-up to a Met-inspired costume gala.
A new book by the Pulitzer Prize-winning historian Greg Grandin offers a fresh account of the region as an incubator of internationalism and commitment to the common good.
Nettie Jones made a splash in 1984 with her shockingly erotic novel “Fish Tales,” then fell into obscurity. A new edition has put her back in the spotlight.
In “Precious Rubbish,” Kayla E. turns to midcentury children’s comics to help tell her shattering story.
As the founder of Woman’s Art Journal and the author of influential textbooks, she documented the work of many accomplished artists who had been ignored.
Mr. Vargas Llosa, who ran for Peru’s presidency in 1990 and won the Nobel Prize in Literature in 2010, transformed episodes from his personal life into books that reverberated far beyond the borders of his native country.
“What’s Left,” by Malcolm Harris, arrives at a particularly difficult time to consider anything beyond our immediate turmoil.
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