In “Waste Wars,” Alexander Clapp shows us in depressing detail just what our Big Junk industry is doing to the rest of the world.
Once a Marxist, he came to embrace hard-right positions, including the falsehood that Mr. Trump won in 2020, and to mentor Stephen Miller, later the Trump adviser.
A successful New York apparel executive, he switched gears in midlife and became a novelist, writing numerous best sellers, including five with James Patterson.
Our columnist on the month’s best new releases.
In a new book, the mathematical epidemiologist Adam Kucharski explains how certainty, even in math, can be an illusion.
In “Girl on Girl,” Sophie Gilbert makes a searing case that trends from the 1990s and 2000s, online and off, damaged young women in deep, dark ways.
Daniel Kehlmann wrote “The Director” only to realize how loudly the moral quandaries faced by G.W. Pabst would resonate today.
Novels by Stephen King and Ocean Vuong, Ron Chernow’s latest blockbuster biography, a new graphic novel by Alison Bechdel and more.
Our columnist on the month’s best new releases.
Our critic on the month’s best releases.
The British author, best known for her “Old Filth” trilogy, never paid much attention to literary fashion, and her 22 novels range widely in genre, tone and style.
“The Queen of the Tambourine,” “Old Filth” and other fiction vividly captured both working-class and aristocratic Britain in the last years of the colonial era.
Craig Thompson’s new book revisits his upbringing on a farm in rural Wisconsin, and the farmers — both American-born and not — who made up his community.
In “Medicine River,” Mary Annette Pember examines a national shame — and the trauma it wrought in her own family.
The second installment of the Pulitzer Prize winner’s trilogy about the war animates an entire world — from battlefields and commanders to sounds and smells.
In “Strangers in the Land,” Michael Luo tells the story of the Chinese workers lured to the United States and expelled when 19th-century politicians turned against them.
He wrote a series of witty police procedurals set in Victorian England and then turned to the present, introducing a cantankerous and technology-averse detective.
Keith McNally tracks his staggering successes — and failures — in his new memoir, “I Regret Almost Everything.”
He deconstructed what he called “the colonial library”: the accounts of Africa by Europeans whose aim, he said, was to further colonialism.
Though she long felt a calling, Sister Monica Clare tried Hollywood first. Her book, and a visit, confirm the warmth — and fragility — of her new community.
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