Tuesday, April 7, 2020 - 5:00am
By Thomas Chatterton Williams
Nicolas Mathieu’s novel “And Their Children After Them” follows a small cohort of Gen Xers in a community ravaged by deindustrialization.
Tuesday, April 7, 2020 - 5:00am
By Lizabeth Cohen
Augustine Sedgewick’s “Coffeeland” demonstrates how the political and social structures of El Salvador were destroyed by its agricultural cash cow.
Tuesday, April 7, 2020 - 5:00am
By Amy Bloom
Her new novel, “Redhead by the Side of the Road,” shows readers all the old familiar places and moves, and confirms Tyler’s heartening flair for decency.
Tuesday, April 7, 2020 - 5:00am
By Carol Goodman
In Danielle Trussoni’s new novel, “The Ancestor,” happily ever after gets very complicated.
Monday, April 6, 2020 - 6:20pm
An excerpt from “Afterlife,” by Julia Alvarez
Monday, April 6, 2020 - 4:00pm
By Michael Ignatieff
Eduardo Porter’s “American Poison” details the long legacy of racism and inequality in the United States.
Monday, April 6, 2020 - 3:38pm
By John Powers
Critic John Powers recommends three stories to break up the monotony of coronavirus lockdown: Unorthodox on Netflix; Baghdad Central on Hulu and a new translation of Magda Szabó's 1970 novel Abigail.
(Image credit: Anika Molnar/Netflix)
Monday, April 6, 2020 - 1:58pm
An excerpt from “The Sword and the Shield: The Revolutionary Lives of Malcolm X and Martin Luther King Jr.,” by Peniel E. Joseph
Sunday, April 5, 2020 - 10:00am
By Etelka Lehoczky
Nicholas Gurewitch scratched images into clay with a stylus for this tale of Death's visit to an analyst — who helps him come to terms with Death Jr.'s lack of interest in the family business.
(Image credit: Dark Horse)
Sunday, April 5, 2020 - 5:00am
By Francisco Cantú
In “Afterlife,” even privilege can’t shield a Dominican-American widow from the immigrant’s plight.