Book Review: ‘Dream Count,’ by Chimamanda Ngozi Adichie
In her first novel since “Americanah,” she draws on a real-life assault as she follows the lives of three Nigerian women and one of their former housekeepers.
Source: NY Times Book Reviews
Book Review: ‘See Friendship,’ by Jeremy Gordon
In Jeremy Gordon’s novel, “See Friendship,” a journalist reinvestigates his past, only to discover the story he was told about his friend’s death wasn’t true.
Source: NY Times Book Reviews
Book Review: ‘The Passenger Seat,’ by Vijay Khurana
Two teenage boys set out north with few plans and plenty of frustrations in Vijay Khurana’s novel, “The Passenger Seat.”
Source: NY Times Book Reviews
2 Books for Jazz Age Enthusiasts
A Scott and Zelda roman à clef; a photo collection of 1920s Paris.
Source: NY Times Book Reviews
Book Review: ‘Wild Dark Shore,’ by Charlotte McConaghy
In Charlotte McConaghy’s novel “Wild Dark Shore,” the caretakers of a remote research base brave an escalating crisis.
Source: NY Times Book Reviews
How Chimamanda Ngozi Adichie Wrote Her Way Through Loss
When her father died, the author of “Americanah” produced a slim work of nonfiction. When her mother died, she poured her grief into a sprawling 416-page novel.
Source: NY Times Book Reviews
Book Review: ‘Raising Hare,’ by Chloe Dalton
In her memoir, “Raising Hare,” Chloe Dalton describes how a leveret changed her outlook on life during the pandemic and beyond.
Source: NY Times Book Reviews
Antonine Maillet, Writer Who Celebrated Her Native Acadia, Dies at 95
She gave voice to an overlooked French-speaking population in Canada, adapting an archaic language that had survived through oral tradition.
Source: NY Times Book Reviews
Book Club Podcast: ‘Orbital,’ by Samantha Harvey
Harvey’s novel about six astronauts living and working on the International Space Station won the 2024 Booker Prize.
Source: NY Times Book Reviews
‘Mary Said What She Said’ Review: A Hypnotic Huppert
In this Robert Wilson production, Isabelle Huppert is everywhere onstage, all at once, reciting a nonstop script that may well touch on everything.
Source: NY Times Book Reviews
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