Margaret Verble's novel follows a young Cherokee woman whose life as a horse-diver in Tennessee zoo is derailed by a terrible accident. It's unfocused at times, but definitely a ride worth taking.
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Victoria Chang's lyrical experiment memorably evokes an individual family's time capsule and an artist's timeless yearning to shape carbon dust into incandescent gem.
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Orlean's descriptions of the animals on the Hudson Valley farm where she once lived may evoke a warm feeling — but those of donkeys in Fez and others in her essays may conjure other emotions.
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The Death of Jane Lawrence asks that age-old question of gothic novels and fairy tales: What do you do if your very attractive husband is hiding a very dark secret in his crumbling manor house?
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Myriam J.A. Chancy's new novel What Storm, What Thunder lays out the lives of people affected by the 2010 disaster with precision and compassion, giving even the most abject agency over their lives.
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While the book is very much the tale of young Dasani Coates, Andrea Elliott uses her story and that of her family to examine the many who find themselves in similarly impossible circumstances.
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James Han Mattson's Reprieve — set at a full-contact escape room attraction where actors can attack players — is overstuffed with character arcs and concepts, but somehow he makes it all work.
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Miriam Toews based the women of Fight Night on the women in her own life — her battles are their battles; against pompous religious leaders, abusive husbands and the lies depression can tell.
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Alix E. Harrow's A Spindle Splintered gives us a Sleeping Beauty for today, cursed not by an evil fairy but by an industrial accident, and yanked into another dimension where she must save a princess.
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Smile records Sarah Ruhl's coming to terms with her new face and the conundrums it presents — after the playwrite wondered for ten years whether the story deserved to live on the page.
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I Love You But I've Chosen Darkness follows a woman, also named Claire, who abandons her family during a bout of postpartum depression in favor of a road trip through significant places in her past.
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Set in the early summer of 1954, The Lincoln Highway follows a crew of kids — some fresh out of reform school — who hit the road in search of a better future, with a few detours along the way.
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Among Trump tell-all authors, Stephanie Grisham stands out because in a White House where turnover was constant, she managed to remained there for almost all of Trump's presidency.
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Fiona Hill had a star turn in front of Congress during Trump's first impeachment inquiry. Now she examines why opportunities are fleeting and how it affects the country's social and political fabric.
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As soon as you open Catriona Ward's new The Last House on Needless Street, you'll know something's very wrong — it's a great read for people who want a book to yank the rug right out from under them.
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The great writer and playwright hasn't published a novel since 1973 — but fans who've been waiting may be disappointed by this dense, florid tale of murder and corruption in an imaginary Nigeria.
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Natasha Rao gets to know herself by examining how she clings to her past in her debut poetry collection Latitude.
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Charlie Barnes, the figure at the center of Ferris's A Calling for Charlie Barnes, is 68 and on his fifth marriage, and after a self-diagnised cancer scare, he wants his son to write his life story.
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Sometimes, it's not the author you choose, it's the translator. So we've picked three novels where the translation will help you discover new things about the text, even if you can read the original.
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Doerr's follow-up to his Pulitzer Prize-winning novel All The Light We Cannot See follows five young people, each living in dangerous times across the span of eight centuries.
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