Chris Ferrie's board books introduce subjects like Rocket Science, Quantum Physics and General Relativity to toddlers and babies. What can parents do to make the concepts resonate?
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Our poetry reviewer Tess Taylor looks at Randall Mann's new collection, Proprietary, which looks at the changes in San Francisco.
Ben Mezrich's taut, entertaining new book follows the men and women who have dedicated themselves to cloning the woolly mammoth, and maybe reversing some of the damage humans have done to the planet.
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Ashley Shelby's debut novel — set among an appealing mix of nerds and oddballs at Antarctica's Amundsen-Scott research station — is a refreshing diversion from summer's heat.
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Francis Spufford's latest novel is set in 1746 Lower Manhattan, a world of spies, thieves, card sharks and crooked bankers. Critic Maureen Corrigan calls Golden Hill "intelligent and entertaining."
Critic Maureen Corrigan says Nick Laird's latest novel begins as a tale of two Irish sisters, but ultimately turns into "a lot of wild blather" about political and religious orthodoxies.
Becky Aikman's new book is a fierce, funny chronicle of the making of Thelma & Louise — the Hollywood forces arrayed against it, and the effect it had on the industry on both sides of the camera.
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Daryl Gregory's new novel spans decades in the life of the Amazing Telemachus Family — a con-man, card-sharping patriarch and his troublesome psychic children, whose powers haven't helped them any.
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Patrick Dacey puts his characters through the wringer in his new novel, a wrenching saga of a profoundly unhappy family set against the ostensibly idyllic background of Cape Cod.
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Ahead of the July 4th weekend, the Seattle-based librarian shares a stack of eight recent favorites. She includes thrillers, mysteries, family sagas and an homage to the game rock, paper, scissors.
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Recently, the New York Times published an essay defending cultural appropriation as necessary engagement. But that's a simplistic, misguided way of looking at appropriation, which causes real harm.
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Fiona Barton's latest — a followup to last year's hit The Widow — picks up with journalist Kate Waters as she digs into another cold case, this one an infant skeleton found at a building site.
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Karin Tidbeck's new novel is set in the mysterious city of Amatka, an agricultural colony ruled by a totalitarian government — but this is no standard dystopia. In Amatka, language has strange power.
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A family curse, a resurrection and a vengeful witch are at the center of Elle Cosimano's Southern Gothic chiller The Suffering Tree. But the book elides its setting's history of racial violence.
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Anne Helen Petersen's new book is a thoughtful consideration of several public women — from Nicki Minaj to Hillary Clinton — who've run up against the invisible expectations our culture has of them.
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Don Winslow's new novel is packed with crooked cops and crookeder crooks, all defending their territories and trying to maintain a status quo where everyone earns, everyone eats and no wars break out.
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In Chain Letter, cartoonist Farel Dalrymple returns to The City, the mysterious metropolis at the heart of his early 2000s series Pop Gun War. It's a weird, complicated and charming place.
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Scott McClanahan's semi-autobiographical novel is packed with loss, pain and existential anguish, but his narrator — also named Scott — refuses to give up, no matter how often he's knocked down.
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Theodora Goss's novel takes bits and pieces from several different monstrous mythologies — Jekyll and Hyde, Dr. Moreau and more — but she makes something new and deceptively intricate out of them.
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Nancy MacLean's book stretches back to 19th century Vice President — and ardent secessionist — John C. Calhoun to find the roots of modern libertarianism, which she calls a threat to democracy.
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