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When the author of “Murder on the Orient Express” rode that very train on a journey toward true love.
In which we consult the Book Review’s past to shed light on the books of the present. This week: Edwin Clark on “The Great Gatsby.”
Readers respond to recent issues of the Sunday Book Review.
Amal El-Mohtar looks at new retellings of ancient tales, including a space opera, a futuristic “King Lear,” and an eco-thriller.
Suggested reading from critics and editors at The New York Times.
Sloane Crosley’s third collection, “Look Alive Out There,” blends deep pathos with the author’s signature humor.
One’s the U.S. poet laureate. The other is the National Ambassador for Young People’s Literature. Can they bring literature to the masses?
Besides the journalism prizes, the committee awarded five Pulitzers to books this week. Here are our reviews.
In his funny, bighearted new novel, “Anatomy of a Miracle,” Jonathan Miles skewers faith, fame and what the truth means to different people.
The deliciousness of the details in Elaine Weiss’s new book suggests that certain historical figures warrant entire novels of their own.
The globe-trotting cosmopolitans in Michelle de Kretser’s satirical new novel, “The Life to Come,” make a fetish of travel and prepare exotic meals with an eye to Instagram.
In “The Recovering,” the novelist and essayist Leslie Jamison explores her own alcoholism and the struggle to make art out of giving up drinking.
A selection of books published this week; plus, a peek at what our colleagues around the newsroom are reading.
In “Maker of Patterns,” the renowned physicist presents his correspondence, revealing observations about the great minds of the 20th century.
Fiction that runs the gamut from horror and fantasy to science fiction and mystery, all told from a nonwhite perspective.
The Norwegian crime writer turns Shakespeare’s tragedy into a fast-paced thriller about murder and corruption in 1970s Glasgow.
Elizabeth Acevedo, Kwame Alexander, Juan Felipe Herrera and Naomi Shihab Nye write unforgettable verse about love, loss and the pain and joy of growing up.
Pamela Druckerman discusses “The Art of Screen Time” and “Be the Parent, Please,” and Ben Austen talks about “High-Risers: Cabrini-Green and the Fate of American Public Housing.”
Sergio García Sánchez reimagines the 19th-century tale of a puppet who dreams of becoming a real boy.
Susan Ronald’s “A Dangerous Woman” is an energetic biography of Florence Gould and a terrific window into the life of the superaffluent.
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