Alec Nevala-Lee considers the science fiction writer’s concept of “psychohistory,” a fictional method for predicting the future dreamed up during turbulent times.
“We Are the Nerds,” by Christine Lagorio-Chafkin, tells the story of the popular internet platform whose unfettered embrace of free expression has proved controversial.
“I was desperately, desperately trying not to write a memoir,” Brennan-Jobs says. “But these stories kept on coming up for me, and they were more vivid and they were more pressing than other stories.”
While researching “The Library Book,” about the 1986 fire that decimated the Los Angeles Central Library, the author took a paperback and some matches into the yard.
Marilyn Stasio discovers books that document the history of serial killing and the poisons of past and present, as well as some scandalous murder cases.
Markus Zusak’s long-awaited “Bridge of Clay,” along with a French best seller, a story based on the ordeal of the Nigerian girls kidnapped by Boko Haram, and more.
Set in 17th-century France, Chris Womersley’s novel “City of Crows” features a mother who succumbs to witchcraft and a grifter with a gift for the tarot.
In these novels, a phantom walks the earth, families at a campground descend into a terrifying alternative universe and the Devil roams a bleak English landscape.
In "Fake Blood,” a sixth grader morphs into a vampire. “Scarlett Hart: Monster Hunter” has a retro-modern teenage heroine who slays all kinds of evil creatures.