The fans of her two series — the Inheritance trilogy and the Broken Earth trilogy — will find much to love in her new collection, “How Long ’Til Black Future Month?”
“Chalk: The Art and Erasure of Cy Twombly,” by Joshua Rivkin, the first biography of the artist, is a deeply personal work — as much about the biographer as his subject.
“The Last Poets,” by Christine Otten, is a novelized account of the radical Harlem spoken-word group whose style and themes paved the way for contemporary rappers.
Jason Lutes’s “Berlin,” over two decades in the making, explores a society on the verge of collapse. One of two books reviewed in Ed Park’s Graphic Content column.
Ahead of the fifth and final season of “Broad City,” its co-creator and co-star leaves New York to see the country, finding herself (and some good laughs) along the way.
Hilary Spurling’s “Anthony Powell” relates the life of an author who is overlooked except for one major work, the multivolume “A Dance to the Music of Time.”
“Battlefields,” by Yan Morvan, “Bears Ears,” by Stephen E. Strom, and Peter and Beverly Pickford’s “Wild Land” transport readers, through stunning images, to the farthest corners of our planet.
Ruth Reichl retrieves memories of her own childhood as she reviews Nina Stibbe’s guide to making it through the holidays, “An Almost Perfect Christmas.”
Both Turner’s “My Story,” a sequel to 1986’s “I, Tina,” and “Anything for a Hit,” from the music scout Dorothy Carvello, expose the sleazy power dynamics of the rock ’n’ roll business.