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A fire left Lucy Yu’s literary hub in Chinatown gutted. She was determined to rebuild it.
In Joseph O’Neill’s new novel, the search for an African sports prodigy is wrapped around a story of American workplace dysfunction.
Scott Preston’s debut novel, “The Borrowed Hills,” unfolds during the 2001 outbreak of foot-and-mouth disease in Britain.
In “Ambition Monster,” Jennifer Romolini recounts a rise from blue-collar dropout to “Corporate Barbie,” and what it cost her.
Everett’s latest novel revisits “The Adventures of Huckleberry Finn” from the perspective of Huck’s fellow runaway.
The photographer Tariq Zaidi captures everyday images of a hidden society at work and at play.
If your idea of a beach read involves murder, we’ve got you covered.
Picture book writers whose works look different from one another because they’re illustrated by different artists are less apt to be on your radar.
Our columnist reviews May’s most chilling releases.
Our columnist on sexy, swoony new releases.
Our columnist on sexy, swoony new releases.
Jacqueline Winspear is retiring Maisie Dobbs, and Susan Elia MacNeal bids farewell to Maggie Hope.
The days are long, but this summer’s bounty of historical fiction will remind you that the years are short.
There be monsters in four new volumes out this month (yes, even in “Nancy”).
Suggested reading from critics and editors at The New York Times.
A biography of Joni Mitchell, two hotly anticipated horror novels, a behind-the-scenes exposé about Donald Trump’s years on “The Apprentice” and more.
Keila Shaheen’s “The Shadow Work Journal” shows how radically book sales and marketing have been changed by TikTok.
“Make eye contact, shake their hand, ask them about themselves and then sign their book with a genuine smile,” suggests the author of the Wyoming-set mystery series. The 20th, “First Frost,” is just out.
In “The Playbook,” James Shapiro offers a resonant history of the Federal Theater Project, a Depression-era program that gave work to writers and actors until politics took center stage.
She was the first photographer allowed to document life among the Hopi, in the Southwest, since the early 20th century. Her work appeared in books and magazines.
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