In “Simon the Fiddler,” an itinerant musician roams the state with his band during Reconstruction, scratching out a living and pining for his true love.
To write “The Address Book,” Deirdre Mask traveled the globe to probe the hidden histories and surprising implications of the names of our roads and thoroughfares.
In her new book, “Why We Swim,” Bonnie Tsui considers the many benefits of submerging yourself in water. As her fellow swimmers say, why run when you can fly?
In the essay collection “Synthesizing Gravity,” Kay Ryan offers characteristically tart and idiosyncratic takes on writing, and on influences from Robert Frost to Marianne Moore.
Cho Nam-Joo’s debut novel, “Kim Jiyoung, Born 1982,” is written as a case study on everyday sexism and misogyny. It helped propel a feminist wave in Korea.
In Margi Preus’s middle-grade novel “The Littlest Voyageur,” a pesky red squirrel spars with eight men named Jean on a river journey in 18th-century French Canada.
Of all the volumes of Louis Sachar’s absurd and absurdist series, this newest installment reads most like a novel, with one prominent plotline tying most of the chapters together.
Hope Jahren’s “The Story of More,” Christina Figueres and Tom Rivett-Carnac’s “The Future We Choose” and Solomon Goldstein-Rose’s “The 100% Solution” offer some novel approaches to global warming.